Lara Logan Has it All Over Dan Rather

NEW SLAUGHTERIf there was ever an example of the quantitative difference between the rage-stoking machinery of the right and the left its in the reaction to Lara Logan’s big Benghazi blockbuster on “60 Minutes”.

Where literally within minutes of its airing nine years ago, “60 Minutes II’s” story about George W. Bush’s essentially non-existent National Guard “service” was under fire from right-wing bloggers pointing to a specific fake document, Logan’s far more amateurish blunder, in using an oddball mercenary’s story as the sole source of a startling new perspective on the Benghazi incident, is fast receding from public attention. Internally, CBS, which can not be pleased with the transparent inadequacy of  Logan’s reporting, may eventually take further action. But lacking a sustained furor, it has the luxury of doing so quietly and in a way it can manage, and … without explaining how it happened.

Lacking any serious of level of heat from outraged liberals — beyond David Brock and Eric Boehlert at Media Matters — this botch, which smells at least as politically inspired as “60 Minutes II” producer Mary Mapes’ shot at Bush — is going nowhere.

People like Kevin Drum at “Mother Jones” and Jay Rosen have already laid out the fundamental complaints with Logan’s story, and CBS has endured the inevitable round of ridicule from comics. For me though the most egregious error — the brightest flare in the sky — was Logan basing her story on a guy who was about to publish a book through CBS’s sister company, Threshold Editions, which exists solely as a distributor of (often) paranoid, fact-deprived righter-than right-wing screeds. How was that allowed to happen?

Worse, Logan didn’t disclose that illuminating little detail either in her original story or in her explanation-free apology last Sunday night. As a consequence we have an episode that walks and quacks very much like something cooked and contrived by the producer/reporter.

And that is different — and worse — than what Mapes and Dan Rather got into in 2004. The tragic irony with CBS’s Bush Air National Guard story is that the central assertion — that Bush was all but officially AWOL from a cushy stateside service slot and far from combat during Vietnam — was all but “smoking gun” provable without the tarted-up memo that persons still unknown used to intentionally deceive CBS, Rather and Mapes. (I believe Doonesbury-creator Garry Trudeau still has the $10,000 he offered to anyone who could prove they saw Bush with his National Guard unit at any time he says he was there.)

With Logan, the rapidly-evolving view is that she was the driving force of the bogus Benghazi story, and that to make her story she consciously violated a basic tenet of Journalism 101. Namely, she allowed a single source, one with obvious personal motivations, to push a startling counter narrative with rabid appeal for a specific fringe audience. A stringer for Eagan Patch couldn’t get away with that.

While the controversy will soon evaporate among the general public, media-watchers who suspect Logan pushed the story far beyond what the facts could support will continue to believe she did it to curry favor (for herself?) with a conservative audience that normally sees “60 Minutes” as a threat to their intensely partisan world view. Her now famous, gung-ho, “let’s go get the bastards speech” isn’t doing anything to refute that suspicion.

We are living in a moment where celebrity reporters are routinely carving out brands (and fatter paychecks) for themselves beyond the walls of their day jobs. And Logan, who looks much better in a low-cut dress than Morley Safer, (and did you notice how much more demure her attire was for the “apology”), has all the ingredients for full-tilt, anchor-level stardom.

But since there is a vast difference in the rage machinery of the right and left, I doubt many will notice when Ms. Logan announces a year from now that she has decided to leave CBS and pursue “new opportunities”.

Finally, you can only laugh that FoxNews, which rarely if ever has something good to say about a story produced by actual professional journalists — and rushed to hype the “60 Minutes” piece —  is pretty much alone now in “standing by” the “facts” of Logan’s botched tale.